Dr. Reda Abdel Rahman
Egypt
www.redaabdelrahman.com
email:
portrait2006@gmail.com
Biography
Born
in Ismalia, Egypt and having studied at the University
of Minya at the College of Fine Arts, being surrounded
by outstanding Pharonic monuments and Coptic monasteries
left a lasting impression on Reda Abdel Rahman, one of
Egypt’s leading contemporary artists. It has resulted in
his artistic expression focusing on the relationship
between what he regards as his ancient Egyptian heritage
and the demands of contemporary life.
One of the key focal points in his work is that
happiness, indeed “a good life,” are intricately related
to what is grown and gleaned from the fields of Egypt
and the Nile valley, and hence serves as a reoccurring
theme in his art. Reda’s work draws strength from the
nurturing Nile which serves as a source for his
creativity.
Also, unlike much of contemporary Arab art, Reda has
been seen as ground-breaking in that he draws and
presents to us the naked or semi-naked female figure in
his pictures, believing profoundly that women are
central to the well-being of the family which is a
commonly held value in Egyptian society.
Through Reda’s work we see the combination of Pharaonic
and decorative motifs. He draws a direct relationship to
the hieroglyphs that the ancients left behind. Taking
this further and incorporating the ancient traditions,
he has designed many mosaics that decorate many cities
throughout Egypt. Indeed, his work can take on
monumental proportions, whether it is large canvases or
murals, depicting scenes that are of old yet at the same
time new. More recently he has powerfully focused on the
Egyptian revolutionary events of January 2011.
Not only has Reda enjoyed a prolific and international
career in the Arts but he has also encouraged others by
participating in a number of varied initiatives designed
to promote artists and the Egyptian art scene. In this
regard, he has been integral to the formation of
internationally recognized events such as the Luxor
Painting Symposium and the formation of the annual Aswan
Sculpture Symposium. He has also led the Fustat
workshops in Old Cairo that brings together a range of
artists from around the Middle East. Reda also
established an art magazine and curates a gallery in
downtown Cairo, both of which are titled Portrait.
His artistic career has taken him around the world, from
Latin America to Europe.
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